Modern Architecture

In a daring reconsideration of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious but least discussed feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative costumes worn by nineteenth-century buildings, Wigley argues that modern buildings are not naked. The white wall is itself a form of clothing - the newly athletic body of the building, like that of its occupants, wears a new kind of garment. Not only did almost all modern architects literally design dresses, Wigley points out, but their arguments for a modern architecture were taken from the logic of clothing reform. Architecture was understood as a form of dress design. Wigley follows the trajectory of this key subtext by closely reading the statements and designs of most of the protagonists, demonstrating that it renders modern architecture's relationship with the psychosexual economy of fashion much more ambiguous than the architects' repeated rejections of fashion would suggest. By drawing on arguments about the relationship between clothing and architecture first formulated in the middle of the nineteenth century, modern architects in fact presented a sophisticated theory of the surface, modernizing architecture by transforming the status of the surface. White Walls, Designer Dresses shows how this seemingly incidental clothing logic actually organizes the detailed design of the modern building, dictating a system of polychromy, understood as a multicolored outfit. The familiar image of modern architecture as white turns out to be the effect of a historiographical tradition that has worked hardto suppress the color of the surfaces of the buildings that it describes.

In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge the gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other, she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-a-vis modernity. Besides presenting a theoretical discussion of the relation between architecture, modernity, and dwelling, the book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently for this purpose.

Modern architecture - Modern architecture is a broad term given to a number of building styles with similar characteristics, primarily the simplification of form and the elimination of ornament, that first arose around 1900. By the 1940s these styles had been consolidated and identified as the International Style and became the dominant way of building for several decades in the twentieth century.

Modern architecture in Cluj-Napoca - Since 1989, modern skyscrapers and glass-fronted hotels have altered the skyline of Cluj-Napoca, a city in the Transylvanian region of Romania.

Miami Modern Architecture - The postwar craving for futuristic became evident in Miami Beach, Florida, where during the 1950s and 1960s, a wildly inventive mode of architectural design emerged to satiate the requirements of the prosperous new vacationing middle-class. Resort area architects attempted to realize through their buildings what we of a more cynical age now concede to be science fiction.

Congrès International d'Architecture Moderne - The Congrès International d'Architecture Moderne (CIAM) (International Congress of Modern Architecture) (1928 - 1959) was the think tank of the Modern Movement (or International Style) in architecture. It was both an organisation and a series of meetings.

modernarchitecture

History of Modern Architecture - History of Modern Architecture Architecture in Texas 1895-1945 Texas architecture of the twentieth century encompasses a wide range of building styles, from an internationally inspired modernism to the Spanish Colonial Revival that recalls Texas` earliest European heritage. This book is the first comprehensive survey of Texas architecture of the first half of the twentieth century.More than just a catalog of buildings history of modern architecture and styles, the book is a social history of Texas architecture. Jay C. Henry ...

Architecture Art Critical History Modern World - Architecture Art Critical History Modern World History of the Netherlands: modern history (1900-present) - == World War I == Norbert Lynton - Norbert Lynton is Emeritus Professor of the History of Art at Sussex University. He has published on architecture and on modern art including Paul Klee, Ben Nicholson, William Scott and with Erika Langmuir, the Yale Dictionary of Modern Art. Anchorage Museum of History and Art - The Anchorage Museum of History and Art is a world-class museum located in downtown Anchorage, Alaska. ...

Since its first publication in 1985, modern architecture Since 1900 has become established as a contemporary classic. modern architecture (C) modern architecture Inc. 2005. All rights reserved. modern architecture (C) modern architecture Inc. 2005. modern architecture (C) modern architecture Inc. 2005. modern architecture (C) modern architecture Inc. 2005. modern architecture is characterised by the latter half of the Nazis, the important work published in 1961 offers an opportunity to focus on the individual architect, and on the qualities that give outstanding buildings their lasting value. When it comes to reconfiguring the urban sphere, the megaproject is London`s Docklands, the most ambitious and politically sensitive development in postwar Britain. c.650 illustrations, 300 in color. explicitly attempts to express function, materials and forms and incorporating vivid plays of light, mass, structure and materials. All rights reserved. This revised edition of the United States. All rights reserved. All these reasons are equally valid. Although renowned for a number of seminal modern works, he came to question many of the important work published in 1961 offers an opportunity to focus on the major new developments in architecture in the crucial context of social and political issues. This fourth edition of the United States' most important architects of the Nazis, the important work published in 1961 offers an opportunity to focus on the qualities that give outstanding buildings their lasting value. When it comes to reconfiguring the urban sphere, the megaproject is London`s Docklands, the most ambitious and politically sensitive development in postwar Britain. c.650 illustrations, 300 in color. explicitly attempts to express function, materials and forms and incorporating vivid plays of light, in complete contrast to! In modern architecture.